The cyberpunk, which is more like the Philip K. Dick adaptation of Blade Runner's neon light and dark atmosphere, expresses a special style that deserves an in-depth examination.
The creator of Cyberpunk is William Gibson, and the first discovery of the word has been an invention.
In the short story of Bruce Bethke, editors are making up this word when they are searching for a chic title to keep in mind. The word is composed of a combination of cybernetic and punk. Cybernetic (which comes from kübernetis, meaning Greek helmsman), which is defined as the science of communication, control and balance, is divided into two words, as Cyborg, Cybernot. Bethke, used in the context of electronic brains, is a catchy name by adding the word "punk", which describes more traditions in daily life, the norms and the corrupt youth between authority. It is necessary to acknowledge that the name of this invention is an accurate name in the age when technology becomes a new authority and power.
Cyberpunk has made two very important innovations in science fiction
The first one, like Philip K Dick, took the technology from the hands of a scientific elite and pushed them out of the system on the streets and illegally. Secondly, cyberpunk has more companies than governments, covert government investigations and government, and the main king is capitalism. International companies with information and technology can direct the economy, health and most importantly the reality in every corner of the world. All the information channels are besieged and a whole new reality is being given. These two innovations brought by cyberpunk were about power focus.
He then created cyberspace with his undisputed ruler, William Gibson (see Neuroman) (see Count Zero) and the Sprawl trilogy (see Mona Lisa Overdrive). Cyberspace (cyberspace) was the name of the digital media that wrapped the human perception and entered through machines that feed the message to the nervous system. Cyberspace is the name of a virtual reality that people feel like they're actually wandering around.
In the cinema, Yul Brynner is the first cyberpunk film to play Westworld, a robot cowboy. Then Steven Lisberger comes to Tron. I think the 2001 Space Odyssey's HAL should also be counted from these "first".
Then the cybernetic term, both human and machine, was born cyborg.
J. G Ballard adaptation Cronenberg film Crash is a cult film that displaces the meat-machine relationship. The combination of meat and metal, human and machine is the most important element of cyberpunk. Cyborg's first example in cinema is cyborg 2087, but the most famous is Terminator and RoboCop.
Although Metropolis ' female cyborg is counted as the ancestors of female cyborgs, the most important female cyborg breakthrough was with Ghost in the shell.
From Metropolis, 2001 to the state of the Nostromo ship in the alien, the computer from Anne to Electric dreams and to the D. A. R. Y. L, although there are many cyberpunk instances where female cyborgs javelin, the original cyberpunk Shirley, Rucker, Neal Stephenson and William The books of authors such as Gibson have a much more prominent structure by developing on the axis. The mind-body/software-hardware binary of the interactive experience, which is divided into a digital and physical environment through cyberspace and similar simille environments dominated by powerful corporations such as wild capitalism and states, constitute an important place ; Identifying the freedom-loving characters, which have become a fetish for information and are often presented in front of a brand new terminology, with no explanation of any kind of arrows, with more physical or mental skills than the feminine of the society. The Warrior is a world of female characters, cyberpunk.
If the books of William Gibson and Philip K. Dick can be read as a detective, cyberpunk is like all the stories of detectives and black movies. But the real issue of Cyberpunk is Distethiopia.
When examined in sociological terms, cyberpunk works are actually a pattern critic.
In the 80s, economic concerns are a protest to the front of human values. "Look, if you move on this path, it will be what you are." The chosen characters are a little more like us than those who live in that world, not losing their human values, but they are marginalized in the world. The points that are criticized are especially drugs, technology, mode, culture and politics.
The roots of the type are based on the pre-80s. The works of dystopic novels and Philip K. Dick have led the cyberpunk writers to take the foundations of the genre. The work of the Do Androids Dream of Electric Sheep, transmitted by the name of Dick's film Blade Runner, and the less-known dedalusman is a human alienation and a desperate place in the community.
The definition of the most important and cyberpunk in cyberpunk culture: knowledge is Power
Yes, people who have been given the cyberpunk sub-culture tend to learn everything that is based on existing technological and knowledge. This vast freedom of knowledge is superior to any object that real life can give. Yes virtual world namely the Internet namely anime and manga or FRP... all of these are superior to the cyberpunk sub-culture, which is given to us in real life, and it is freedom.
In the cyberpunk sub-culture, the people who chose this culture have their own role in this culture.
If we go to a specific classification, we can identify these roles in the form of hackers, phreaker, Cracker, otaku and Zippie. These are groups that understand the value of knowledge and are trying to reach esoteric information with all the possibilities of the virtual world, and in reality they do not share the information of the Aslillan. Because the information they acquire gives them power and freedom. Shared information is information that shows methods that are used to access asllan information.
source:istock.com