In this sense, the photographs from this day have the appearance of being composed with a minimalist purpose, but occasionally taking advantage of the element of the sky to create that contrast with the subject, which is somewhat simple, from an architectural detail, some objects, or even a dragonfly landing on a fence, but with the same configuration of an almost completely white background, which is also achieved with a very bright day, and this day certainly was.
I've always thought that minimalist photography is based on simple composition, but in reality, it's sometimes difficult to achieve that because it depends on several factors, where everything has to harmonize to achieve that goal: from the subject, the environment, the background as a background, and, most importantly, the lighting and how it can affect the subjects. In this way, with this combination of factors, you can achieve that minimalist look, but also with the intention of less is more.
I also play with motifs that include patterns, such as the lighting posters or the wall that resembles a chessboard. I somehow manage to capture that perspective and compression of images that are simpler to the human eye and, of course, the camera. But sometimes, the whole scenario of a city can detract from that concept of minimalism applied to photography.
All photographs are mine.
