"Film isn't as flexible as digital" is a refrain that I hear from time to time. On the surface I have to agree, I can do some pretty crazy stuff with my digital camera. It's a tool that has opened many doors of creativity for me.
But why can't I do creative things with film as well? I have been a bit stuck lately. I got into film because I wanted to experiment and play. But after seeing how expensive film is I stopped playing and just shot boring "normal" (i. e. safe) snaps. The "art" has slipped from my work.
I blame the film prices, but it's also the fact that I had serious G. A. S. and bought a dozen or so cameras in the last six months. I haven't even had a chance to use them all. Every roll was a test just to see if the camera worked, so of course they couldn't be creative experimental shots.
Well, I think I broke that habit. These are long exposures that I took with my 1937 Zeiss Ikon Super Ikonta 530, a camera I affectionately call "the Frau", and one I am quite familiar with using. Knowing the camera means I could play a bit.
I used a light meter app on my phone and if I remember correctly the first two images are 21 second exposures and the rest varied.
Just because the film is 400 ISO doesn't mean one can't find a way to use it in the dark. Wide open apertures, a tripod, and many seconds are all that are needed to make film just as flexible as digital!
Camera: Zeiss Ikon Super Ikonta 530
Film: Kentmere Pan 400
Developed in Caffenol as always and scanned with the Epson V600
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S. D. G.
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