At the beginning of the European Psychoanalytic Film Festival, Bernardo Bertolucci, the festival's honorary president of the period (The Last Tango in Paris 1972), Conformist (The Conformist 1970), 1900 (1900 1976), and The Spider Stratagem 1970) he said, "I found another lens on my camera in relation to psychoanalytic theory."
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Not Kodak, not Zeiss, but Freud. In the process, renowned directors Alfred Hitchcock, Stanley Kubrick and David Lynch have brought the concepts of dream and unconscious to their works. The film critics of Slavoj ederižek, one of the psychoanalysts of the new era, are also important in the emergence of this effect.
In light of all these, the most accurate expression is that psychoanalysis, which is still a controversial therapy method, has a new identity that directs all branches of art.
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Is it possible to accept Freud's famous saying and a therapeutic approach to turn neurotic suffering into a common unhappiness, a systematic interpretation of the spirit and body that philosophy has been negotiating for centuries, and it is a failure to draw a new path through questioning the concept of reality? This is not a therapy method with a different interpretation of Magritte's famous expression. This is much more!
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