Fuente 1, 2 Mis gustos son variados y en estos no podía faltar el romance, de ese dulce, amoroso, tierno e inocente, con estas características supongo que debes de haber pensando justo en “Kimi ni todoke”

by Michael M. Parks on Michael Parks View my bio on BeeToons TV: 1993 habe ich einen Animationsfilm gedreht, mit dem ich live vor Publikum interagierte. Als Demonstration der kreativen Möglichkeiten von

Eating hot soup in this heat seemed like a good idea, watching City Hunter 2024, and my new favorite topic.

by Michael M. Parks on Michael Parks View my bio on BeeToons TV: If your stop motion characters need to up and shoot each other, this is the tutorial for you! This animation how-to presents some simple

I started to watch it without specting anything, but I ended loving it so much, it's...

Cada vez más confirmo que live-action basados manga y anime no hacen justicia a lo referente al material original; mi experiencia con estas versiones cinematográficas no son las mejores y por eso cuando

by Michael M. Parks on Michael Parks View my bio on BeeToons TV: I made the latest Kevin Claything Adventure, Make Waves, simply because I wanted to animate clay fish. Lots and lots of clay fish. But with

Fuente Desde el 7 de octubre mi hija había estado intensa con ver una película juvenil que fue estrenada en Paramount+ sobre unas adolescentes, hijas de monstruos que van a una escuela especial. Sobre

It's practically a rite of passage for young animator/filmmakers: We take our action figures into the backyard and blow them up. We horribly abused our G.I. Joes and Mego action figures for the sake of

From the archive: My first large-scale clay animation short, completed in 1987. Shot on super8 film, the audio, including an original score by David Hawley, was recorded onto the film using a movie projector

Digging into the archive: This is the first clay animation short I made while in high school (1985) after a series of practice films. A friend, David Hawley, was in a band and recorded this song one weekend

www.michaelmparks.com A look at the principles behind getting a strong, snappy act of violence into your stop motion animation. Please see my other tutorials on how to make a puppet, as well as other stop

Here are the tips and tricks I've learned for animating off-the-shelf toys. Part one looks at the supplies I like to use, animating a vehicle, and toys that stand on their own. Part two will involve animating

Here are more tips and tricks I've learned for animating off-the-shelf toys that need help standing up. Part one looked at the supplies I like to use, animating a vehicle, and toys that stand on their

Does your character really REALLY need to scream? Here's how to greatly expand the range of emotion by making just his mouth and jaw out of clay. Please see my other tutorials on how to build a puppet

www.michaelmparks.com Here are some of the ways you can make full use of the pliability of clay. If you're going to go through the trouble of animating the stuff, you might was well have some fun with

www.michaelmparks.com The quality of cameras on phones have improved so much that they are now an excellent option for shooting stop motion. Sure, programs available for a computer have more features,

How to animate a stop motion jump, including physics and animation principles, as well as ways to remove the supports. Please see my other tutorials covering a wide range of stop motion methods and techniques.

www.michaelmparks.com Here are some ideas on how to make use of a green screen (or in this case a green or blue poster board) to put your stop motion and clay animation characters into sets and locations

Performing for kids is a tough gig, even if you have a few tricks up your sleeve. Check out today’s video..!